Beatrice Prior must confront her inner demons and continue her fight
against a powerful alliance which threatens to tear her society apart
with the help from others on her side.
Director:
Robert Schwentke
Writers:
Brian Duffield (screenplay),
Akiva Goldsman (screenplay)
Stars:
Shailene Woodley,
Ansel Elgort,
Theo James
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Storyline
One choice can transform you-or it can destroy you. But every choice has
consequences, and as unrest surges in the factions all around her, Tris
Prior must continue trying to save those she loves--and herself--while
grappling with haunting questions of grief and forgiveness, identity and
loyalty, politics and love. Tris's initiation day should have been
marked by celebration and victory with her chosen faction; instead, the
day ended with unspeakable horrors. War now looms as conflict between
the factions and their ideologies grows. And in times of war, sides must
be chosen, secrets will emerge, and choices will become even more
irrevocable--and even more powerful. Transformed by her own decisions
but also by haunting grief and guilt, radical new discoveries, and
shifting relationships. Tris must fully embrace her Divergence, even if
she does not know what she may lose by doing so.
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Insurgent Movie Reviews
The
word "insurgent" means to actively revolt, implying some
distinctiveness that sets its participants apart from the norm.
Ironically, the film Insurgent, a faded photocopy of other teen-
scifi-dramas, doesn't have a single unique bone in its body. Not that
it's aggressively terrible. There are some decent scifi elements and
even a couple of mildly intriguing moments. But like clockwork, every
slight turn for the better is quickly overwhelmed by extreme boredom.
Like a forgettable SyFy channel series masquerading as a blockbuster
film, Insurgent is simply a dull and uninteresting sequel. That word
"sequel" should connote a progression of sorts, but no. As little as I
remember about the previous entry in the Divergent Series, I can tell
you this: shaky cam action scenes, bloviating about "special ones", and
constant fighting for the McGuffin-of-the- week were the focus and are
still in full form here. At the center is Woodley, an actress with a
whole heckuva lot of talent that simply doesn't have the presence of
strength to carry this sort of role. She presents a microcosm problem
for an entire film full of great actors terribly miscast. Teller and
Elgort manage some natural charisma and charm from their otherwise
absent characters, Watts and Spencer are all but completely missing, and
Winslet is just plain wasted. It's none of their fault; they just can't
make the embarrassingly constant melodrama palatable. Even if it was
laughably bad there might be something to cling to, but it's not bold
enough to even warrant that reaction. Insurgent only serves as a lame,
achingly dull placeholder until the next Hunger Games installment.